Margot Robbie is setting down roots at Warner Bros.
The Aussie actress is signing a first-look deal with the studio behind her summer Suicide Squadto develop and produce feature films through her LuckyChap Entertainment banner.
Producing and developing with Robbie will be her LuckyChap colleagues Tom Ackerley, Josey McNamara and Sophia Kerr.
Robbie, whose breakout performance came in Martin Scorsese’s The Wolf of Wall Street, is only 26 years old but has quickly grasped control of her career in a way few actors, especially female actors, do, steadily wading into the world of producing.
Robbie and LuckyChap are in postproduction on their first movie as producers, the upcoming neo noir thriller Terminal. LuckyChap also is developing and producing a Tonya Harding biopic, I, Tonya, where the actress will play the disgraced figure skater, and is developing an adaptation of Bad Monkeys, a novel by Matt Ruff, along with Bluegrass Films’ Scott Stuber and Dylan Clark for Universal Pictures.
Warner Bros. has built a relationship with the actress, who starred in Focus and The Legend of Tarzan for the studio before becoming one of the key factors as to why Suicide Squad grossed over $700 million worldwide.
The first-look deal underlines Warner Bros.’ renewed focus on female-driven storytelling and comes after some notables moves from the Burbank-based studio.
It created the Warner Bros. Emerging Film Directors Workshop earlier this year as a program to increase female voices, among other under-represented sectors, which was spearheaded by the studio’s president, creative development and worldwide production Greg Silverman.
Warners has Wonder Woman, based on DC’s iconic female superhero, coming out next year and was firm in its commitment to find a female director for that movie. And it is prepping Ocean’s Ocho, a female-centric take on Ocean’s 11 that will feature an A-list female ensemble.
Robbie is repped by CAA, Management 360 and attorney Jeff Bernstein of Jackoway Tyerman.
Haha, you thought The Chainsmokers couldn’t get any bigger? Think again. For their latest collaboration teaser, they’ve shared a couple clips of themselves in the studio with none other than Coldplay’s Chris Martin.
It’s not clear whether it will be a Coldplay collaboration or just a feature with Chris Martin, but at this point, it doesn’t really matter. The fact that they’ve gotten big enough to have one of pop music’s premiere vocalists work on a track with them is evidence enough that they’re aiming for the absolute top.
Lou Pearlman, credited for starting the boy-band craze and launching the careers of the Backstreet Boys and ‘NSync, has died in prison while serving a 25-year sentence for a massive Ponzi scheme.
The Orlando Sentinel reports that according to a federal inmate database, the 62-year-old Pearlman died Friday. The cause of death was not immediately known.
Pearlman’s $300 million Ponzi scheme through his Trans Continental companies was uncovered in 2006. He was convicted of fraud in 2008.
Hundreds of lawsuits were filed in the mogul’s case, including one by the Backstreet Boys.
‘NSync singer Lance Bass tweeted on Saturday “Word is that #LouPearlman has passed away. He might not have been a stand up businessman, but I wouldn’t be doing what I love today wout his influence. RIP Lou”
The summer music season might be kicking into high gear with chart-topping records from Drake, Justin Timberlake, and Fifth Harmony, but here are eight recent, underplayed songs from breakout artists to hear right now.
Namie Amuro, “Mint”
She’s sold more albums in Japan than Lady Gaga, Katy Perry, and Kesha have sold in the United States combined, but chances are you’ve yet to hear a single track by J-Pop superstar Namie Amuro. The Japanese equivalent to Madonna, Amuro is one of the best-selling artists of all time in her native country, with each of her 12 original, full-length albums earning platinum certification (or higher) in Japan. Stateside, she’s yet to notch a single track on a major chart, though she recently recorded two albums almost entirely in English: 2013’s FEEL, for which she collaborated with Zedd, and 2015’s Genic,which includes production from David Guetta and SOPHIE.
After a short post-Genic break, the 38-year old unveiled a new EP last month, featuring “Mint,” a wonderfully whacky mix of electric, surf-rocking guitars, R&B chants, and a pulsating EDM breakdown showcasing the sonic bravura that makes J-Pop some of the most interesting music on the planet.
Over a decade ago, at the age of 16, Victoria Hekseth auditioned for the hit U.K. reality competition series Pop Idol. She made it all the way to the third round of tryouts, but was ultimately eliminated by producers before making it to the panel of judges, which then included Simon Cowell. Hekseth didn’t take no for an answer, however, and began releasing electropop music under the stage name Little Boots in 2008.
Three albums into her solo career (she recorded with the band Dead Disco before heading out on her own), Little Boots’ songs have appeared in major movies (“New In Town” was featured in Jennifer’s Body) and advertisements, but she’s yet to find major mainstream chart success in the United States.
Her new EP, Afterhours, builds a strong case for the industry making room for her on the airwaves, however. A two-track continuation of her 2015 concept album Working Girl, Afterhours’ standout track is the glistening, subtle banger “Staring at the Sun,” which seemingly resonates with inspiration from ’90s-era Kylie Minogue while adding a dash of cold, robotic Ladytron goodness. During an interview withNylon, Little Boots called Afterhours “the soundtrack for when the photocopier powers down and the office is locked up, and you want to find somewhere to let your hair down and forget about the day,” and never has an artist more accurately described a body of work.
Rock & Rap fusion song with a guitar riff at the end that sticks in your head. Michael Barber and Matty Moe combined for an album and this song is solid example why underground music should still be taken serious. The project is filled with samples, but this song is a fresh take on a new sound with guitars and drums that rotate from 4-4 to 4-3 in time.
The rhymes aren’t about your typical rapper stuff, and the hook is as catchy a rock/rap song as I have heard.
Big bass, soulful organs, flickering finger snaps, electronic riffs; Bishop Briggs’ music incorporates familiar sounds, yet it defies classification when the young Londoner mixes it all together. The Brit’s latest single, “The Way I Do,” stomps along with a subdued fierceness, accompanied by angelic delivery from a voice that sounds like a lovechild from Ivy Levan and Jess Glynne.
COIN’s “Talk Too Much” is a prime example of just how sweet indie alt-pop can sound when it’s done right. A little bit Vampire Weekend, a little bit HAIM, and a whole lot of fun, “Talk Too Much” is a spirited summer jam that’s sure to jump-start the early hours of your next rooftop party.
Kristin Kontrol, otherwise known as Kristin Welchez, otherwise known as Dee Dee, leader of the all-female group Dum Dum Girls, took a break from her rocker roots to explore a variety of genres on her debut solo set, X-Communicate.
From stadium pop-rock to electronic dance music, X-Communicateshows off Kontrol’s comfort in switching genre gears from track-to-track without missing a beat. The LP’s standout tune, “White Street,” is an ’80s throwback that pulls inspiration from Kontrol’s best moments with the Dum Dum Girls (we hear those subtle guitars and echoey vocals!) while exploring an altogether new, synth-and-hand-claps sound that wouldn’t sound entirely out of place filling an arena or soundtracking your next viewing of a midsummer sunset.
Twenty-nine-year old South Korean pop star BoA has sold millions of albums throughout Asia, the most successful of which, 2003’s Valenti, sold over 1 million copies in Japan.
Following a successful career in South Korea, BoA tried breaking into the U.S. market with an eponymous 2009 LP recorded entirely in English, featuring tracks produced by Bloodshy & Avant (“Did Ya”) and others previously discarded by Britney Spears (“Look Who’s Talking”). After the tune failed to catch on (it peaked at No. 127 on the Billboard 200), she again returned her focus on international territories, releasing several albums that charted in her native country.
Though her recent work skews more toward pop than dance, BoA’s new single, a collaboration with South Korean rapper Beenzino titled “No Matter What,” offers a grooveable, tropically-infused sound (think“What Do You Mean?” meets “I Took a Pill in Ibiza (Seeb Remix)”) that could throb through speakers at clubs around the world.
You definitely know Alex Newell as Glee’s Unique Adams, but you probably don’t know the 23-year old actor recently released a stunning EP filled with some of the best dance tracks 2016 has to offer. Following the release of the five-track set, Newell wasted no time premiering his follow-up, throwback groove, “Need Somebody,” which bursts from your speakers with searing strings and sky-high vocals. Newell’s voice sounds right at home when compared to disco divas like Donna Summer, making his foray into music a welcome trip back in time for fans of the genre.
Have you ever tried to get tickets (Twenty One Pilots) and then it’s a SOLD OUT show? Well, it’s probably only sold out on Ticketmaster, but then you can go on Stub Hub, Vivid Seats, Seat Geek, Ticket Liquidator, Cheap Tickets, etc and find tickets. Concerts get sold out really quick because these ticket resale sites buy up all the tickets and then resell them for 5 times the amount. How is this legal? Why is this okay? This just seems to hurt the fans, the venue, and the artists. Please COMMENT below about what you think.
Prince’s remains have been cremated, and a small group of family and friends held a private ceremony to honor the music legend, his publicist said Saturday.
Yvette Noel-Schure said in a statement that Prince’s remains had been cremated without specifying when. His body was released to his family Friday afternoon after a Minnesota medical examiner performed an autopsy.
“A few hours ago, Prince was celebrated by a small group of his most beloved: family, friends and his musicians, in a private, beautiful ceremony to say a loving goodbye,” Noel-Schure said in the statement.
The “final storage” of Prince’s remains would remain private, but an announcement about a “musical celebration” is forthcoming, the statement said. Continue reading →